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Step
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of 12
This will take you about 3 minutes. Answer honestly, not aspirationally. You'll find out exactly where you're at and next steps to accelerate your growth as a screenwriter.
Name
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is you back
Email
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By the way, taking this quiz gets you added to my email list.
Which best describes where you are with finishing screenplays?
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I have an idea or some pages, but I haven't finished a full script yet.
I've finished one first draft, but I haven't done a real rewrite yet.
I've finished one complete script, including at least one significant rewrite.
I've finished two or three scripts and I think they are good, but I'm not sure if professionals think they would make a good movie.
I've finished multiple scripts, and at least two or three are ready to be shown to others.
I've finished multiple scripts, and I'm actively getting read requests or meetings because of them.
Next
Which sounds most like you right now?
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I've moved past general study and I'm focused on applying specific skills to make my work stronger.
I write because I enjoy it, and I'm not really thinking about it as a career.
I'm past studying craft in a general sense — my focus now is execution, strategy, or getting my work in front of people.
I've started actively studying craft resources because I want to get better at this specific thing.
Next
How are you currently working to get better as a writer?
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Getting regular paid feedback, consistent notes, and rewriting based on them.
Mostly consuming books, YouTube, or podcasts, casually.
I've moved past active study — my focus now is execution and refining my process.
Actively studying craft resources and analyzing produced scripts, but not yet paying for feedback.
Next
When you go back and fix a problem in a scene or script, what usually happens?
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I make a change and hope it works, but I'm often not sure if I actually fixed the real problem.
I usually end up rewriting dialogue or tweaking a character moment, but sometimes the scene still isn't working even after that.
Once I fix it, it usually stays fixed — I don't find myself circling back to the same scene for a different reason later.
I can usually tell the real fix needs to happen earlier, in the setup, the stakes, or what the scene needs to be doing, but I don't always know how to execute that fix yet.
Next
Can you look at your own script and tell whether every scene is actually connected to the main story?
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Yes, and I can usually fix the break once I've found it.
I don't really think about scenes that way yet.
I know what the story beats are for each scene and why the scene is there.
I can see that more easily in other people's scripts than in my own.
Next
Do you build subtext, layered characters, or voice into your scripts on purpose, or does it happen more by accident?
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I do this reliably — it's one of my strongest, most consistent skills.
Not really something I'm doing deliberately yet.
I deliberately build the story first so those elements have something to attach to, then shape them on purpose.
I notice it sometimes in my work, but I couldn't tell you how I did it.
Next
What's the most significant outside feedback your writing has gotten?
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Paid coverage or a professional consultation, with mixed-to-positive notes.
Positive feedback from friends, family, or a casual writing group.
A read request, meeting, or option from a manager, producer, or production company.
Notes from a peer writing group focused on real craft, not just encouragement.
Next
When you get real notes on your writing, what actually happens?
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I haven't gotten real outside notes yet.
I get notes, but I'm not sure how to evaluate or use them.
I can execute a meaningful rewrite based on notes, but it's slow and I don't have a repeatable process.
I can evaluate notes and implement them effectively, and even if I don't follow the recommended fixes, I'm still addressing the notes.
Next
How do you decide what to write next?
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I'm starting to evaluate ideas for commercial viability before committing to them.
Whatever idea excites me most, without thinking much about the market.
I actively evaluate market fit, audience, and where a script fits in the industry before I write a page.
I think about whether it's a good story and if there is a complete story before I start writing.
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How would you describe your process from idea to a polished, ready-to-show draft?
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I don't really have one — I figure it out as I go, and I haven't finished a full cycle yet.
I have some habits, but no consistent system from start to finish.
I have a process, but it's inconsistent — some scripts flow, others stall, and it can take a year or more.
I have a repeatable process — I can take an idea to a polished draft in three to four months.
Next
How many scripts do you currently have that you'd confidently say are ready to show to others?
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None yet — I'm still working on getting one script to that level.
One.
Two or three.
Four or more.
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How well do you understand the business side of the industry?
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I understand the business side and factor it into my decisions, but I'm not actively building industry relationships yet.
I'm focused on craft right now and haven't thought much about this yet.
I'm actively tracking industry news, building a targeted list of the right people for my work, and working on real relationships.
I understand the basics — managers, agents, queries, pitching — in general terms.
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